quantumRadio

As of right now quantumRadio is being put on hold. It will bee back at a later date, for more information please visit Escape from Reality.

So I’m still working on the summer session so hold your horses.  I might start up with the original qR plan this weekend.  That is eRadio.

I’ll post back as soon as that happens.

~ Dj Dark

So the latest session is still planned.  I’ll release it in a few weeks, it’s not going to follow the regular flow of being a Euro dance session, it’ll have other eletronica genres mixed in too.  I seriously have to breath new life into quantumRadio.

Please if anyone is willing to volunteer their time for quantumRadio please send in an application.  (You can find the info in this post.)

So I think I should make this post before qR dies again…

I’m looking for volunteers to post entertainment related news articles, cd reviews and possibly a podcast of weekly/monthly entertainment events.

You don’t have to post specifically about dance music, it can be any genre, except country.

You can even post about TV, Movies and hell even games

So if your interested you can contact me, DJ Dark at djdark@quantumradio.net, please include the following details: (continue reading…)

Even before "queen of all media" Perez Hilton took the stage and proclaimed her "the new princess of pop," Lady GaGa showed she’s a serious contender to Madonna’s crown Friday at the Wiltern.

She might be a relative newcomer, but the artist born Stefani Joanne Germanotta commanded the stage with a royal air during her hour-long set, at times even sporting a glowing scepter.

With two chart-topping singles to her credit and her debut album, "The Fame," climbing the upper reaches of the Billboard 200, GaGa’s first theater tour is a hot ticket — and the Lady did not disappoint. Borrowing from Madonna, Grace Jones, David Bowie and Daryl Hannah’s "Blade Runner" replicant, GaGa put on a compelling show revolving around her mysterious persona, a trio of leather-jacketed dancers, multiple costume changes and props and a lone DJ providing musical accompaniment.

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Pop star Nelly Furtado is not the first major-label musician to start her own label, but she is one of the few to do it with an indie. Furtado is launching Nelstar in cooperation with the Canadian independent label group Last Gang Labels.

The Toronto-based electro-dance band Fritz Helder & the Phantoms is the first act signed to Nelstar and will release its debut album July 7.

"Nelly just wasn’t that interested in doing a OneRepublic/Timbaland type of thing," says Chris Taylor, president of Last Gang and Furtado’s longtime attorney. "She’s an independent spirit, and she wants to make sure we build the band at the right pace. It’s also very important to launch a band with indie branding behind them and be able to build them brick by brick."

Taylor points out that Furtado has close ties to the band, noting that two members are her backup dancers.

Furtado says she never considered introducing the Nelstar imprint via her label, Interscope.

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Sorry about there being no news posts or even posts relating to qR the past few weeks, been busy.

I should have the new session ready for this summer, if not, well like I said, no regular release schedule anymore (though we never had one before.).

Tuning up for a spring North American tour, Leonard Cohen played his first show on American soil in 15 years last night (Feb. 19) at New York’s Beacon Theatre. The three-hour performance featured all of Cohen’s classics, including "Suzanne," "Bird on the Wire" and "Hallelujah."

Cohen, 74, broke a 15-year hiatus from touring in 2008 with shows in Canada, Europe and New Zealand. His AEG-promoted North American tour will begin April 2 in Austin, Texas, and run through June 2 at Red Rocks outside Denver. He will also make a previously announced appearance on April 17 at the Coachella festival in Indio, Calif.

In what was just the second show at the newly reopened Beacon, Cohen dazzled the sold-out crowd with a career-spanning set, backed by an ace six-piece band and three female vocalists.
He frequently thanked the audience for its devotion, and the crowd ate up Big Apple references in songs like "Chelsea Hotel" and the funky "First We Take Manhattan."

Cohen was in fine, deep voice throughout, dropping to his knees to sing "Hallelujah" and dabbling in guitar and synthesizer throughout the performance.

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Originally expected in April, Dave Matthews Band’s as-yet-untitled new RCA album will now arrive June 2. The group has also announced its annual summer tour, beginning May 27 in Darien Center, N.Y.

The dates will follow a previously announced spring run, which kicks off April 14 at New York’s Madison Square Garden. Support acts for the summer shows include Robert Randolph, Femi Kuti, the Hold Steady, Umphrey’s McGee, Old Crow Medicine Show and Switchfoot.

Rumors suggest the band may play Boston’s Fenway Park on May 29-30, but no announcement has yet been made.

Meanwhile, DMB plans to zip over to Europe for a quick tour during late June and early July. For the band’s full itinerary, visit its Web site.

The new DMB album was produced by Rob Cavallo. A number of songs have been played live since the summer of 2007, including "Round and Round," "Cornbread," "#27" and "Falling Off the Roof," but it is unknown if they will appear on the upcoming project.

Source: Billboard.com

In a chart week encompassing Grammy boosts and Valentine’s Day sales, Taylor Swift’s Big Machine effort "Fearless" returns to the top of The Billboard 200. The set moved 92,000 copies on a 44% sales jump, resulting in its nine non-consecutive weeks at No. 1. The last album spend more time at the top was Santana’s "Supernatural," which enjoyed 12 weeks at No. 1 in 1999 and 2000.

Selling 77,000 on a whopping 715% increase, Robert Plant and Alison Krauss’ "Raising Sand" (Rounder) zooms 69-2 following its album of the year win at the Grammys. The set debuted at No. 2 in late 2007 with 112,000 and has now sold 1.26 million to date.

Coldplay’s "Viva La Vida or Death and All His Friends" (Capitol rebounds 31-8 with 62,000 (+271%); the album generated three Grammys, including song of the year for "Viva La Vida." Best new artist winner Adele’s Columbia debut "19" climbs from 27-10 with 57,000 on 218% bump, and the "Grammy Nominees 2009" compilation posts a 114% increase to 61,000, resulting in a 12-9 jump.

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